https://elib.utmn.ru/jspui/handle/ru-tsu/31 2026-09-12T11:30:03Z https://elib.utmn.ru/jspui/handle/ru-tsu/39117 Название: The uncompleted cycle about poetry as theurgy in Vl. Solovyov’s lyrical poetry of the second half of the 1890s; Несобранный цикл о поэзии как теургии в лирике В.С. Соловьева второй половины 1890-х годов Авторы: Cherkasova, E. A.; Черкасова, Е. А. Аннотация (реферат): The author examines the inter-connections of subjects and motives in ten poems which Solovyov wrote in the second half of the 1890s. The method of motive analysis shows that those works bear the mark of a verse unity making an uncompleted cycle. It appears that Solovyov’s poems during that period can be related not only to his aesthetic and philosophical works but also to the lyrical pieces of earlier poets. Thus, it is shown that ten poems belong to the tradition of A.A. Fet, K.K. Sluchevsky, A.N. Maykov, V.A. Zhukovsky and Ya.P. Polonsky. It is suggested to call this uncompleted cycle “Poetry as theurgy”. A brief review is proposed of the aesthetic and philosophical ideas which are important to understand the general theme canvass of the cycle. The common theme and cross-cutting motives of twelve poems forming that cycle are defined. It is suggested to consider that the lyrical mystery theme is common to all the poems of that cycle. It is shown that the prophetic motive and images/symbols of nature and of the poet as prophet can be traced throughout the whole of the cycle. The conclusion is that Solovyov has created a series of poems which, through their themes and motives, prolong and complete each other, thus offering an uncompleted cycle of poetry as theurgy. From the point of view of its structure and content, that cycle is typical of the literary epoch when it was composed, being a continuation of the classical tradition while at the same time creating a new tradition, that of the symbolists. © 2020 Ivanovo State Power Engineering University. All rights reserved. 2020-01-01T00:00:00Z https://elib.utmn.ru/jspui/handle/ru-tsu/39115 Название: Couchsurfing as a social practice; Каучсёрфинг как социальная практика Авторы: Akulich, M. M.; Batyreva, M. V.; Golovanova, Yu. I.; Акулич, М. М.; Батырева, М. В.; Голованова, Ю. И. Аннотация (реферат): The article presents the results of the study of a new tourist practice in Russia – the socalled «couchsurfing». The members of the social network Couchsurfing.com travel around the world and stay at other members' homes for free if they use their homes in the same way. There is an obvious lack of data about this social phenomenon, which does not allow to define clearly its functions and to estimate its possible transformations in the future. Therefore, the authors conducted an analysis of publications on hospitality network and in-depth interviews with couchsurfers to define the features of the couchsurfing as a social practice. It is a set of actions and interactions of individuals, groups and communities, which perform important social functions. The couchsurfing possesses all features of social practices: reproducibility, generality, stability and normativity. Thus, common values of couchsurfers contribute to the solidarity within the community, to the high level of interpersonal trust and generalized trust. The main motives for participating in couchsurfing are search for self-identification and social ties (belonging), learning a foreign language, seeking for help and saving money. Despite the risks, the researchers and informants positively evaluate the couchsurfing practices, especially for the ways to ensure couchsurfers' safety are improving, and the couchsurfing changes the lives of its participants by positively affecting their values and worldview. The couchsurfing constitutes an essential element of a new global system of hospitality that allows people to visit and socialize anywhere in the world. © M.M. Akulich, M.V. Batyreva, Y.I. Golovanova, 2017. 2017-01-01T00:00:00Z https://elib.utmn.ru/jspui/handle/ru-tsu/39116 Название: A family of ethyl n-salicylideneglycinate dyes stabilized by intramolecular hydrogen bonding: Photophysical properties and computational study Авторы: Alkhimova, L. E.; Babashkina, M. G.; Safin, D. A.; Алхимова, Л. Е.; Бабашкина, М. Г.; Сафин, Д. А. Аннотация (реферат): In this work we report solvatochromic and luminescent properties of ethyl N-salicylideneglycinate (1), ethyl N-(5-methoxysalicylidene)glycinate (2), ethyl N-(5-bromosalicylidene)glycinate (3), and ethyl N-(5-nitrosalicylidene)glycinate (4) dyes. 1-4 correspond to a class of N-salicylidene aniline derivatives, whose photophysical properties are dictated by the intramolecular proton transfer between the OH-function and the imine N-atom, affording tautomerization between the enol-imine and keto-enamine forms. Photophysical properties of 1-4 were studied in different pure non-polar and (a)protic polar solvents as well as upon gradual addition of NEt3, NaOH, and CH3SO3H. The DFT calculations were performed to verify the structures of 1-4 as well as their electronic and optical properties. © 2021 by the authors. Licensee MDPI, Basel, Switzerland. 2021-01-01T00:00:00Z https://elib.utmn.ru/jspui/handle/ru-tsu/39118 Название: Decoding the paradox in Garcia Marquez's one-sentence-long story, «great enchanter»; Расшифровка парадокса в рассказе Гарсиа Маркеса «Великий чародей», состоящем из одного предложения. Авторы: Andreeva, K.; Андреева, К. Аннотация (реферат): The present article studies one unique postmodernist experiment of a complete violation of the traditional story construction by the Nobel Prize winner Garcia Marquez. One of his stories: "The Last Voyage of the Ghost Ship" is written in the form of one sentence, although, graphically occupying six or seven pages of the text. The genius of the writer let him combine such evident (but actually specially planned) violation of the norm with complete semantic transparency which led to the enthusiastic reception of the story by the press as well as by his readers. The aim of my article is to decode this evident paradox with the help of more traditional and modern cognitive approaches and technologies of text analysis. Thus, we make use of such several well-known and accepted linguistic notions as narrative structure, ekphrasis and others alike with innovations of general cognitive approach. The latter has the power to explain the surprising phenomenon of the readers' complete embodiment into the picture created by the author (scientifically called "mental ekphrasis"). Different forms of multimodality contribute to the general effect. The whole architecture of the text is supported very elegantly and simply with the help of mainly coordinate conjunctions. The results of our empirical analysis prove our explanation of the evident effect of all these special tools of linguistic text construal expertly chosen by Garcia Marquez. © AesthetixMS 2017. 2017-01-01T00:00:00Z