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dc.contributor.authorCherkasova, E. A.en
dc.date.accessioned2025-09-08T04:11:03Z-
dc.date.available2025-09-08T04:11:03Z-
dc.date.issued2022-
dc.identifier.citationCherkasova, E. A. (2022). V.S. Solovyov as a translator of Dante (on two translations from “Vita Nuova”). Solov’evskie issledovaniya, (1), 40–54. doi:10.17588/2076-9210.2022.1.040-054apa_pure
dc.identifier.issn2076-9210-
dc.identifier.otherFinal2
dc.identifier.otherAll Open Access3
dc.identifier.otherGold Open Access3
dc.identifier.otherhttps://doi.org/10.17588/2076-9210.2022.1.040-054pdf
dc.identifier.urihttps://elib.utmn.ru/jspui/handle/ru-tsu/37917-
dc.description.abstractThis article examines two poetic translations of Dante Alighieri’s “Vita Nuova” by V.S. Solo-vyov. At the present time, Solovyov’s specific experiments of translation are merely considered in the field of literary studies, although a general assessment of them has been given in the past by scholars such as A.F. Losev, Z.G. Mints, T.F. Teperik, A.A. Asoyan and others. The logic underlying the selec-tion of the translated materials might indicate a special attitude of Solovyov in choosing names and works, which are significant for the understanding and realization of the poetry tasks. The author of this article demonstrates that such was the name of Dante Alighieri, which embodied a special myth con-cerning the spiritual transformation of man through one’s love for a woman. This myth was in harmony with the concept of art, as the latter is reflected in many works of the philosopher. The author also proves that Solovyov, who knew Italian language quite well, translates Dante's sonnets rather freely: In this way, he is able to keep the ideological content of the original text while also offering a different Russian translation. The specific character of Solovyov’s translations is here considered in comparison with the three other translations of the same sonnets made by the professional linguists and translators: M.I. Liverovskaya, A.M. Efros, and I.N. Golenischev-Kutuzov. The author maintains that the distinctive “Italian” canon of the sonnet genre is preserved in Solovyov's translation: This fact would demonstrate the philosopher’s adherence to the European poetic tradition. The article finally analyzes V. Solovyov’s translations from the point of view of their connection with his corpus of lyrical poems. In conclusion, the author sums up the basic principles of V.S. Solovyov’s translation work and clarifies the nature of the dialogical connection between his poetic heritage and Dante’s lyrics. © 2022, Ivanovo State Power Engineering University. All rights reserved.en
dc.format.mimetypeapplication/pdfen
dc.language.isoruen
dc.publisherIvanovo State Power Engineering Universityen
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.sourceSolov'evskie Issledovaniaen
dc.subjectDante’s “New Life”en
dc.subjectPhilosophy and Poetics of Transformationen
dc.subjectPoetic Creativityen
dc.subjectRussian translations of Danteen
dc.subjectSon-neten
dc.subjectTranslation Work of V.S. Solovyoven
dc.titleV.S. Solovyov as a Translator of Dante (on Two Translations from «Vita Nuova»)en
dc.titleВ. С. Соловьев – переводчик Данте (о двух переводах из «Vita Nuova»)ru
dc.typeArticleen
dc.typeinfo:eu-repo/semantics/articleen
dc.typeinfo:eu-repo/semantics/publishedVersionen
local.description.firstpage40-
local.description.lastpage54-
local.issue1-
local.volume2022-
local.contributor.departmentTyumen State University, Department of Russian and Foreign Literature, Tyumen, Russian Federationen
dc.identifier.doi10.17588/2076-9210.2022.1.040-054-
dc.identifier.scopus85128944828-
local.contributor.employeeCherkasova E.A., Tyumen State University, Department of Russian and Foreign Literature, Tyumen, Russian Federationen
Располагается в коллекциях:Научные публикации, проиндексированные в SCOPUS и WoS

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